Bouncers Essay

BOUNCERS BOUNCERS John Godbers number, BOUNCERS, was scripted and performed in the year 1977 and captures the generalised stereo lawsuits of a group of Bouncers, Girls and Lagalads on a shadowtime out in the town. With only iv members in the cast, Godber cleverly directs the exploit to be comedic and easily understand sufficient through the actors motion picture and clever consumption of lighting and set. The race takes you through a typical Friday night in town at a club c all in alled asylum, which creates a strong indite suggesting it is a place where all the tired of(p) people go.It begins with severally of the four bouncers apiece walking on interpret with a solid posture as a Bouncer. Each 1 would then all of a sudden break out into a terpsichore move the first bouncer was able to lock and pop really swell and as each one came out, the worse they got, immediately connecting with the hearing as they entrap it hilarious. This is one of Godbers techniques to k eep the earshot engaged at all times, as jokes atomic number 18 told that the audience understand and end relate to, ultimately making the performance more enjoyable for both the actors and audience.The play then continues on to tell the recital in episodes due(p) to its episodic structure, active a group of four girls who are preparing for a night out. Godbers utilize of clean transitions allowed the plot to unfold fluently the only four objects on arrange (four beer barrels), were cool by the actors whilst they spoke, and two actors collected a beer barrel each to be placed into the centre of the stage performing as chairs and then would continue on to the next injection, making it clear to the audience that there was a background alteration by introducing the characters they were representing.This is one of Godbers techniques that was influenced by Bertolt Brecht, which is apply to stop the audience cerebration about what the characters are like and bonny concentr ate on the performance. The lighting mingled with transitions also indicated that there was a dead reckoning change, as it would either the whole stage would either be brightly lighten up or dimmer and more intimate, which is another(prenominal) influence of Brechts, as he would melodic line and juxtaposition images. I effect that by introducing the characters, the audience were able to enjoy he performance as they were constantly told who the actors were representing and didnt get confused. However, I found that because the pictorial matter amongst each of the characters they played was so different and you were able to differentiate between each one easily, the constant introductions were unnecessary. The acting style for all of the actors was truly comedic throughout the play. This was portrayed super effectively, as their slick comedic timing between lines was fast and sharp making it truly humorous.The characterisation of each of the characters also added to the jap ery, especially when they were representing the female characters, as their bodies were very relaxed and they used exaggerated feminine gestures. Additionally, their versatile use of vocals created even further humour, as they could be loud and raucous lagalads, contrasting to yielding and gentle women and this created a lot of enjoyment for the audience, keeping them engaged throughout the whole play. Godbers choice of a alone open setting worked effectively for this type of performance.The entertainment in the play was purely created by actors themselves, and the set didnt trim away from this but emphasised it. By being completely open, the audience are able to see the good prime(prenominal) of acting the actors could do as they didnt have every support from any sort of set. The lighting however, set the picture as much as the actors, as the flashing and changing lights indicated that they were dancing in the club, whereas the solid flickering lights positioned on each acto r clearly and effectively indicated that they were line drawing a scene on a bus.This scene was also clear due to the actors jiggering up and down and miming holding on to a handle bar above their flips. This effective scene was one of my in-person highlights of the play as it was a very clever technique used by Godber and was clearly recognised. My other favourite scene was the hairdressers near the beginning, and oddly in that scene one of the actors using their hands and clicking their fingers scum bag someones another actors head representing a pair of scissors newspaper clipping someones hair. I found this extremely effective and easily recognisable.I particularly liked the transition between the hairdressers scene into the barbers immediately after, as all of the actors apparently stood up out of character and express Barbers, indicating the scene change, and this was emphasised by the physicality dropping from the women into loud and scrambling men. I thoroughly enjoy ed BOUNCERS due to its comedy style and the actors glorious acting. As it was very up to picture with the choice of music and clubbing scenes, I could engage with the play easily as it is what I am being brought up around in society straightaway and this slowed me to enjoy it even further.